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Classical

Pierrot lunaire

Cinquième Salle September 1, 2018

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Schoenberg’s song cycle Pierrot lunaire, for voice and small instrumental ensemble, has had a profound influence on the history of music. Presented here in three parts interspersed with works by Enescu and Stravinsky, this expressionist masterpiece sets twenty-one poems by the Belgian poet Albert Giraud, translated into German by Otto Erich Hartleben. An opportunity to discover – or rediscover – this extraordinary musical landmark.

Enescu, Impressions d'enfance, op. 28: no. 1 for solo violin, “Minstrel” (4 min.)
Schoenberg, Pierrot lunaire, op. 21, Part I
Stravinsky, Pulcinella, for violin and piano (arr. S.Dushkin): “Overture” (2 min.)
Schoenberg, Pierrot lunaire, op. 21, Part II
Stravinsky, Pulcinella, for violin and piano (arr. S.Dushkin): “Serenata” (2 min.)
Schoenberg, Pierrot lunaire, op. 21, Part III
Stravinsky, Pulcinella, for violin and piano (arr. S.Dushkin): “Tarantella” (3 min.)

Details

  • Venue : Cinquième Salle
  • Producer / Presenter : Orchestre symphonique de Montréal (OSM)
  • Conductor : Adam Johnson
  • Violin (Enescu and Stravinsky) and Sprechstimme : Patricia Kopatchinskaja
  • Violin (Schoenberg) : Axel Strauss
  • Viola : Neal Gripp
  • Cello : Matt Haimovitz
  • Clarinet and bass clarinet : André Moisan
  • Flute : Albert Brouwer
  • Piano : Brigitte Poulin
  • Program : concert #13
  • Duration (subject to change without notice) : 45 minutes
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