Yulianna Avdeeva, winner of the 2010 Chopin Competition and now residing in Germany, captures the full portent of the irony and stark beauty in Shostakovich's Preludes and Fugues.
Dmitri Shostakovich, who died 50 years ago this year, embodied the artist limited and muzzled by a dictatorial regime (in his case, Stalinist Russia) with which he maintained a lifelong, complex, and inextricable relationship. His Preludes and Fugues are both a tribute to the alpha and omega of Western art music, Bach’s Well-Tempered Clavier, and the expression of a tormented yet resilient voice.